Bouguereau made more than seven hundred finished works. French painter. From 1838 to 1841 he took drawing lessons from Louis Sage, a pupil of Ingres, while attending the coll?ge at Pons. In 1841 the family moved to Bordeaux where in 1842 his father allowed him to attend the Ecole Municipale de Dessin et de Peinture part-time, under Jean-Paul Alaux. In 1844 he won the first prize for figure painting, which confirmed his desire to become a painter. As there were insufficient family funds to send him straight to Paris he painted portraits of the local gentry from 1845 to 1846 to earn money. In 1846 he enrolled at the Ecole des Beaux-Arts, Paris, in the studio of Francois-Edouard Picot. This was the beginning of the standard academic training of which he became so ardent a defender later in life. Such early works as Equality reveal the technical proficiency he had attained even while still training. In 1850 he was awarded one of the two Premier Grand Prix de Rome for Zenobia Discovered by Shepherds on the Bank of the River Araxes (1850; Paris, Ecole N. Sup. B.-A.). In December 1850 he left for Rome where he remained at the Villa Medici until 1854, working under Victor Schnetz and Jean Alaux (1786-1864). During this period he made an extensive study of Giotto's work at Assisi and Padua and was also impressed by the works of other Renaissance masters and by Classical art. On his return to France he exhibited the Triumph of the Martyr (1853; Luneville, Mus. Luneville; ) at the Salon of 1854. It depicted St Cecilia's body being carried to the catacombs, and its high finish, restrained colour and classical poses were to be constant features of his painting thereafter. All his works were executed in several stages involving an initial oil sketch followed by numerous pencil drawings taken from life. Though he generally restricted himself to classical, religious and genre subjects, he was commissioned by the state to paint Napoleon III Visiting the Flood Victims of Tarascon in 1856   Related Paintings of Adolphe William Bouguereau :. | The Shepherdess (mk26) | Childhood Idyll (mk26) | Psyche | Fraternal Love (mk26) | nude |
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Jacob Grimmer
(ca. 1526-1590) was a Flemish Renaissance landscape painter. Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays. According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
Jacob Claesz van Utrecht
also named by his signature Jacobus Traiectensis (born c. 1479 - dead after 1525) was a Flemish early Renaissance painter who worked in Antwerp and Lebeck. Jacob van Utrecht's life is still very much in the dark. Research on this important Flemish artist did not start before the end of 19th century. He was probably born in Utrecht, although it is not certain. It is assumed that he became a citizen of Antwerp around 1500 and he is recorded as a "free master craftsman" of the Guild of St Luke there from 1506 to 1512. From 1519 to 1525 he is recorded as a member of the Leonardsbruderschaft ("Leonard's Brotherhood"), a religious confraternity of merchants in Lebeck among whose ranks the leaders of the Protestant Reformation in the 1530s could be found. From then on no traces of his life have been found.
Andre Beauneveu
Netherlandish Gothic Era Painter and Sculptor, 1335-ca.1401 Andre Beauneveu was born in Valenciennes. Little is known about his early life and he is first documented in 1360. Four years later, he commissioned to create a collection of royal tombs in Paris for King Charles V. In 1366, Beauneveau left Paris and began working for the Count of Flanders in Courtrai beginning in 1374. Then in 1386, he began working for Jean, Duc de Berry and served him for the rest of his life. Beauneveau was primarily a sculptor, but also produced illuminated manuscripts and stained glass windows. His work was integral to the development of naturalism in the 15th century.